Summary

The upcomingDC Universe , spearheaded by James Gunn and Peter Safran , present an opportunity for DC to find out not only from its past mistakes with the DC Extended Universe , but to achieve something even the competing Marvel Cinematic Universe has failed to accomplish . While the MCU has had some lurch with its canon — as the first shared creation of this shell — and the DCEU stick out from its haste and inadequate planning , the DCU intends to be different . Unlike " Phases " in the MCU , the DCU has " Chapters " — 8 - 10 year arcs , each with a title signify the overarching theme .

The first stage of Gunn and Safran ’s shared universe is calledChapter 1 : deity & Monsters , an allusion to a magnetic core theme in DC ’s mythology . The dealership will extensively feature fantastic elements , characters , and stage setting with a more traditional brand of friend : the dissemble superhero . The reboot undertaking has a clear vision , with plenty ofupcoming DCU releasesbeing across various media , including film , video , aliveness , and picture games — the latter of which remains untapped by the MCU .

Here ’s every new DC motion-picture show sustain as in development by WB for 2024 and onwards , admit release dates and where they belong in the dealership .

Collage of characters from Super Man 2025, Constantine and Batman II

The DCU Projects Will Work Toward An Established Common Storyline

The biggest predictor of the DCU ’s achiever lie in its planning;Gunn and Safran signify their projects to work toward a tightly - cockle established storylinethat is hard shape by popular comic Bible runs . Consistency is key here , even across medium , as actors will be repeat their roles in all projects featuring their characters , whether alive - action or animated . Although Gunn has shared that the DCU will emphasize quality storytelling in each item-by-item project , there will be a clear vision for how they fit within and contribute to the larger vision .

Whilethe DCU exist to tell a specific story via the mass medium of a deal universe , the MCU exists to be a creation of heroes , construct threats to bring them together . The Infinity Saga was a satisfying and successful discharge of the MCU , but did not originally have a set programme , and later followed more of an outline steer the myriad of Marvel projects . accordingly , movies and show in the MCU often oppose themselves or contend to find a home in the larger canon , which is something the DCU intends to ward off .

DC Can Still Explore Strong Standalone Storytelling Via Its Elseworlds Projects

While the MCU struggles to balance creative storytelling with its arch over finish , DC can have it both ways . co-occurrent to the liberation of DCU project will be stand - alone movies dubbed"Elseworlds " projects . These will have no impingement on the main DCU narrative and , conversely , will have no constraints placed on their storytelling , characterizations , or esthetics by the demands of a single storyline .

Upcoming Elseworlds projection include sequels to Matt Reeves’The Batmanand 2019 ’s sensory take on the Clown Prince of Crime , Joker . Joaquin Phoenix ’s unique take on the Joker need not infringe on architectural plan for Robert Pattinson ’s Batman , nor do either need to fit into the DCU . These project have no one to do to but their own stories , and can thus be self-assertive in their creative visions , allowing theDC Universeto further evade complications that other similar dealership have faced .

Close up of Hulk looking sad with necklaces around his neck in Thor Ragnarok

Bucky Barnes (Sebastian Stan) on a motorcycle in Thunderbolts

Split image of The Batman poster and David Corenswet

The animated Creature Commandos group standing together in a promo image

Robert Pattinson in The Batman poster and Joaquin Phoenix in Joker

DC Extended Universe