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Summary
FromBreathlesstoThe 400 BlowstoAu Hasard Balthazar , there are some groundbreaking French masterpieces that every moving picture lover around the world should catch . France is responsible for some of the most influential revolutions in film history . Robert Bresson produce a raw kind of cinematic naive realism with his restrained , ascetic shooting panache . Jacques Tati open up his own brand of film slapstick , and those timeless visual modality gag are still just as curious today . Claude Chabrol ’s Hitchcockian suspense thrillers and Éric Rohmer ’s naturalistic , semi - improvised drollery reimagined familiar genres and styles with a whole raw way of approaching a fib on film .
After World War II , Gallic film producer like Jean - Luc Godard and François Truffaut revolutionized the entire graphics form with the radical reinventions of the French New Wave movement . motion-picture show likeJules and JimandBande à partsaved cinema from its post - war drop-off . The signature styles of renowned Hollywood filmmakers like Quentin Tarantino and Wes Anderson can be trace back to influence from the French New Wave . From modernistic classics likeAmélieandPortrait of a Lady on Fireto timeless muffin likeLe SamouraïandCléo from 5 to 7 , there are a long ton of must - see Gallic films .
10Amélie
Jean-Pierre Jeunet, 2001
praise for its impulsive depicting of life in Paris , Jean - Pierre Jeunet’sAmélierevolves around a way-out , introspective waitress who determine to make up it forwards by meliorate the lives of those around her . Thanks to its playful , heartfelt construction , Améliebecame one of Gallic cinema ’s big external hit , and one of the most wide beloved first appearance in the canyon of reality cinema . The film’sbright visuals , sentimental tone , and vivacious performancesfrom its muddle - packed ensemble chance on a chord with audiences across the world .
9La Haine
Mathieu Kassovitz, 1995
Mathieu Kassovitz’sLa Hainechronicles a daylight and night in the lives of three booster from an immigrant vicinity in the suburbs of Paris . La Haineis a poignant societal thriller that tapped into the societal and economic sectionalization that mar Parisian life in the ‘ 90s . By charting these city - all-embracing division from the intimate , undercoat - level linear perspective of three downtrodden characters , La Hainetackles macro issues on a micro scale .
8Bande À Part
Jean-Luc Godard, 1964
From his dark satireWeekendto his dystopian sci - fi epicAlphaville , the masterworks of Jean - Luc Godardmade him one of the delineate voice of French movie theater . His blithesome noirBande à partrevolves around the love triangle between a young woman and two obsessional cinephiles who mime on - sieve gunfight for fun , who team up up to pull off a looting . Bande à partis renowned for its dance scene , but the film ’s ego - knowingness was right smart before of its time . With its movie - loving friend in over their heads in a genuine criminal scheme , Bande à partistheScreamof offense films .
7Jules And Jim
François Truffaut, 1962
François Truffaut , one of the Titan of Gallic film , pioneer a new way to tell love stories on filmwith the frantic editing and tragical plot turn ofJules and Jim . It centre on the warmheartedness - turn love trilateral between a French Bohemian named Jim , his introverted Austrian friend Jules , and Jules ’ lady friend Catherine . The rapid - paced , energetic redaction ofGoodfellaswas inspired byJules and Jim ’s fast - run opening montage .
6Portrait Of A Lady On Fire
Céline Sciamma, 2019
Céline Sciamma is one of the most exciting vox in modern Gallic celluloid , and the defining piece of music of her career isPortrait of a Lady on Fire . This touching wild-eyed drama orb around the out romanticism between a bespoken blue blood and the catamount commissioned to paint her portrait . Sciamma ’s direction immerses witness in the 18th - century surroundings , and Noémie Merlant and Adèle Haenel bring the characters ’ wild-eyed tautness to lifespan . Claire Mathon ’s breathtaking cinematography adheres to the every - framing - a - painting principle , with beautiful imagery to match the beautiful emotion of the love story .
5Le Samouraï
Jean-Pierre Melville, 1967
With the gritty crime film aesthetic he originate in classics likeLe DoulosandLe Cercle Rouge , Jean - Pierre Melville has had an influence on every great neo - noir fromReservoir DogstoJohn Wick . The image of Melville ’s guileful reinvention of the crime thriller isLe Samouraï , a cat - and - mouse job follow a double - cross professional gunslinger and the Parisian commissaire trying to catch him . The fashionable direction and foreboding atm ofLe Samouraïhave get on to inspireDrive , The Killer , and even the Madonna song “ Beautiful Killer . ”
4Au Hasard Balthazar
Robert Bresson, 1966
Robert Bresson ’s key signature restraint is on full display inAu Hasard Balthazar , which tell the grievous tarradiddle of a domestic ass who ’s passed from opprobrious owner to abusive owner , being treated with cruelty every step of the path . Au Hasard Balthazaris one of the saddest movies ever made , particularly for creature lover – it ’s a Does the Dog Die ? nightmare – but it ’s also one of the greatest movies ever made . There are few films out there that have the same bowel - punching excited effect asAu Hasard Balthazar .
3Cléo From 5 To 7
Agnès Varda, 1962
The magnificence ofCléo from 5 to 7 ’s storytelling is in its simplicity . It direct place in real time between 5 p.m. and 6:30 p.m. as a notable young singer named Florence , known by her stage name “ Cléo Victoire , ” wait to hear the outcome of a biopsy that will determine whether she has stomach genus Cancer . The profound feeling of dread and ego - reflection while waiting to hear aesculapian news are universally relatable . Whereas Gallic New Wave moving picture are typically zippy and fast - paced , Agnès Varda ’s humanist chef-d’oeuvre slows down enough to smell the rose and capture the everyday mantrap of life .
2The 400 Blows
François Truffaut, 1959
Truffaut ’s directorial introduction , The 400 Blows , is one of the pioneering flick of the French New Wave . It lard Truffaut ’s puerility through the fictional risky venture of Balzac - quoting teenage delinquent Antoine Doinel . Antoine has a contentious relationship with his parents and teacher and ends up in a juvenile detention center . The 400 Blowsis the definitive coming - of - age motion picture , display the nostalgia , idiosyncrasy , and brutal honesty that makes this literary genre so powerful .
1Breathless
Jean-Luc Godard, 1960
Godard ’s debut feature , Breathless , epitomizes the technical rotation and artistic release ofthe French New Wave . It revolves around a small - clip crook who wish well he was Humphrey Bogart as he impulsively kills a law officer and go on the run . In just the opening aspect , Godard insert a very unlike kind of film noir as his jerky editing robs Michel of his Bogartian triumph . With its documentary - similar camerawork and freeform leap - cut elan , Breathlessintroduced a whole new film languagethat continues to influence cinema to this day .
Custom Image by Yailin Chacon
