Summary

Obscure and underappreciated flick trilogy typically focalize on substance over spectacle . Despite circumscribed recognition , they offerhidden treasure for cinephiles seeking innovational storytellingbeyond mainstream blockbuster . Their significance lies in pushing creative edge and challenging traditional filmmaking norms . Although these trilogies never achieved widespread commercial-grade success , many have garnered dedicated craze followings , external honour , and leading decisive reviews .

For most looker , thebest film trilogy of all timedon’t always admit these obscure enfranchisement , whichcommonly contain unconventional filmmaking technique , or seek to push the boundary of cinematic artistry . While lack blockbuster appeal , these corner trilogies contribute to the rich tapestry of film story , softly earning a place in the hearts of cinephiles who treasure the art of storytelling in its many nuanced forms . Overall , obscure and underappreciated motion-picture show trilogy are a testament to the breadth and deepness of the filmmaking landscape , showcasing the artistry and creativity that extend beyond the mainstream calcium light .

10The Human Condition (1959-1961)

Directed by: Masaki Kobayashi

Set in World War II , The Human Conditiontrilogy follows the arduous journeying of Kaji , a Japanese socialist , as he navigates through the horrors of warfare . While not often cited alongside thebest warfare motion picture of all time , this trilogy may be themost complete epic mod warfare drama ever , even though it ’s almost unknown today . From Kaji getting forcibly drafted into war inNo Greater Love , his disillusionment with the Japanese army inRoad to Eternity , to his experiences as a prisoner of state of war inA Soldier ’s Prayer , The Human Conditionis driven by its impeccable pacing and authenticity .

9The Road Trilogy (1974-1976)

Directed by: Wim Wenders

Amid wandering grapheme traversing landscapes both strong-arm and emotional , The Road Trilogyepitomizes director Wim Wenders ' geographic expedition of experiential melodic theme and the lookup for identity . The filmsAlice in the Cities , Wrong Move , andKings of the Roadaren’t connected in a tale sense . or else , they are unite by one paper : going on the road as a cure for ennui and societal disjuncture . enamor the centre of post - war Germany and the universal quest for belong , The Road Trilogystands as a cornerstone of New German Cinema . These sorely underappreciated films represent the very roots of contemporary road trip motion-picture show .

The road trip moving-picture show formula has essay to be a seemingly interminable well for Hollywood . Here are some of the best , underrated road trip films .

8The Apu Trilogy (1955-1959)

Directed by: Satyajit Ray

Thecoming - of - age photographic film genre would n’t be where it is today withoutThe Apu Trilogy . Based on the authoritative Bengali novel of the same name , the first filmPather Panchaliopens the trilogy with Apu ’s life as a unseasoned poverty-stricken boy in a rural hamlet . As a fry , Apu navigate caste and socioeconomic kinetics , but confront even more complex dilemmas as he grows up inAparajitoandApur Sansar . Told through Satyajit Ray ’s visionary , poetic , but underappreciated filmmaking mode , Apu ’s journeying through adolescence and adulthood well captures the beauty and struggles of rural biography - and evermore transfer coming - of - age film .

7The Vengeance Trilogy (2002-2005)

Directed by: Park Chan-wook

There are manyrevenge film likeOldboy , Sympathy for Mr. Vengeance , andLady Vengeance . However , Park Chan - wook’sThe Vengeance Trilogyis singular in itsencompassing geographic expedition of both the visceral appeal and consequences of seeking even justified revenge . Not for the faint of tenderness , these thriller combine extremely lifelike force with psychological drama , and are think by many to be extremely loathsome . Although every one of these films are extremely awarded -Oldboyis even for the most part reckon as one of the adept movies ever made -The Vengeance Trilogyas a whole has never truly achieved mainstream recognition .

6Three Colours Trilogy (1993-1994)

Directed by: Krzysztof Kieślowski

Krzysztof Kieślowski ’s filmsBlue , White , andRed -respectively symbolizing liberty , equality , and fraternity on the Gallic flag- offer cagey narrative twist based on their prescribed meanings . Bluefocuses on a charwoman who shinny to continue living after her married man ’s dying , Whiteis about one human being ’s darkly comedic fight for equality in his turbulent marriage , andRedsees two individuals from very different backgrounds finding companionship amid chaotic social association . TheThree Colourstrilogy arguably peaked withRed , but each of these obscure moving-picture show are landmark contributions to the world of psychological drama and love story .

Ending a picture show enfranchisement with the unspoilt potential film is a die art . Here are the franchises that showed audience and filmmakers alike how it ’s done .

5Pusher Trilogy (1996-2005)

Directed by: Nicolas Winding Refn

An epic criminal offense thriller saga , thePushertrilogy start out with a calendar week in the life history ofan progressively depraved mid - level drug principal who must determine a way to yield his provider . Pusher 2then continue with the aforesaid drug monger ’s even crushed - degree pal , who must also make do with fatherhood . InPusher 3,the focal point transferee to the criminal boss of the first two character , offering a more top - down view of underworld enterprise . While not as popular asDrivedirector Nicolas Winding Refn ’s other films , thePushertrilogy is actually comprised of Refn ’s most critically acclaimed works .

4Samurai Trilogy (1954-1956)

Directed by: Hiroshi Inagaki

FromMusashi MiyamotoandDuel atIchijoji TempletoDuel at Ganryu Island , Hiroshi Inagaki’sSamurai TrilogyfollowsMusashi ’s phylogeny from a reckless young warrior to a skilled swordsman and philosopher . Despite the relative obscurity of these films , they are contemporaries of thebest samurai movies ever , many of which are in reality to a great extent act upon by Inagaki ’s study . Though the trilogy tackles the raise of one of Japanese history ’s not bad swordsman , they notably lack the bloodshed that ’s distinctive in such films , and or else focuses on Musashi ’s reference development amid some of the most turbulent years in feudal Japan .

3Europa Trilogy (1984-1991)

Directed by: Lars von Trier

Lars von Trier ’s thematicEuropatrilogy is a relatively unknownexperimental psychological play serial . The Element of Crimesees a detective getting mesmerise to recall his last grammatical case . In the metafiction comedic horrorEpidemic , two screenwriters shinny to complete the script for a medical narration . lastly , Europais a menstruum drama that was inspired by Frank Kafka’sAmerika , explore the web of intrigue and espionage left behind in civilian Germany after World War II . Though obscured from mainstream audiences due to their experimental nature , theEuropatrilogy is a well - rounded display case of von Trier ’s contributions to arthouse cinema .

Lars von Trier is a highly controversial director with an telling horror filmography that span forty age ; here are his revulsion films order .

2Love Trilogy (1990-2004)

Directed By: Wong Kar-Wai

Wong Kar - Wai’sDays of Being Wild , In the Mood for Love , and2046are narratively link up - but considered to be an informal trilogy . The serial explores the elaborateness of sexual love , longing , and human connexion against the backdrop of Hong Kong ’s vibrant landscape , its cast of fiber sail quixotic web and searching for meaning in their life . Through the genus Lens of Kar - Wai ’s sensational filming and nonlinear storytelling , theLovetrilogyallegorizes the colonial history and subsequent diaspora of Hong Kong ’s people- but from a tragically romanticize lens . Despite their artistic carrying out of pop themes , Kar - Wai ’s films stay comparatively obscure .

The TV series Blossoms Shanghai is an forthcoming rag - to - riches dramatic play serial and here ’s everything to know about the discharge date , cast , and story .

1Trilogy of Death (2000-2006)

Directed By: Alejandro González Iñárritu

WhileAmores perros , 21 Hans C. J. Gram , andBabelaren’t just obscure films , not many know that they in reality incorporate film director Alejandro González Iñárritu’sTrilogy of Death . These films are n’t directly connected , but are insteadthematically connect by Iñárritu ’s penchant for interwoven multi - narration that somehow coalesceat certain points . Despite what the title of the trilogy incriminate , these flick actually perfect in on the interconnect nature of life , exploring causality across time , space , and unexpected societal bonds . The trilogy ’s many accolades arguably discount it from being underappreciated - however , theTrilogy of Death’scontributions to nonlinear film definitely merit more kudos .

Custom collage of Aragorn (Viggo Mortensen) in Lord of the Rings: The Return of the King, The Bride (Uma Thurman) in Kill Bill: Volume 2, and Edward (Robert Pattinson) and Bella (Kristen Stewart) in The Twilight Saga: Breaking Dawn – Part 2.

Lars Von Trier The House That Jack Built Melancholia Antichrist Epidemic

A Bao (Hu Ge) staring to the side in a yellow-stylized screen for Blossoms Shanghai.

Custom collage featuring Julie (Juliette Binoche) in Three Colours: Blue, Toshiro Mifune as Musashi Miyamoto in Samurai I: Musashi Miyamoto, and Richard Jones (Brad Pitt) in Babel.

Created By: Debanjana Chowdhury

Tatsuya Nakadai as Kaji wearing rags outside in the snow during the final scenes of The Human Condition III: A Soldier’s Prayer.

Rüdiger Vogler as Bruno Winter and Hanns Zischler as Robert Lander wearing matching sunglasses in Kings of the Road

Article image

Subir Banerjee as Apu hides behind a column while spying in Pather Panchali

Irène Jacob as Valentine Dussaut blows a bubble in Three Colors: Red

Mads Mikkelsen as Tonny carrying his baby while riding the bus in Pusher II

Toshiro Mifune as Miyamoto Musashi a.k.a. Takezo being seduced by Kaoru Yachigusa as Otsu in Samura I: Musashi Miyamoto

Barbara Sukowa as Katharina Hartmann with a mocking expression on her face in Europa