Related
Summary
One of the most democratic figures in comics , Rob Liefeldhas been as cheered and jeered for his singular art and illustrations forMarvel . Whether it be Liefeld ’s original take on backgrounds or venire layout to his utmost drawings of character , his graphics always rest a singular comedian reading experience . In a lot of means , Liefeld ’s draught solidify the equipment characteristic that made up a distinct era of comics artistic production that was present from the late ' eighty and throughout the ' 90s .
Comics art in that epoch was liberal and bluff , withLiefeld ’s drawing arguably chair the charge . His covers and lineament presentation were no holds debar , which was known to draw anger from some . While Liefeld may have been lambasted for his — ahem — anatomically wrong portraiture of women orhis strained relationship with draw foot , no one can ever say that Liefeld ’s illustrations are forgettable , always being extortionate .
10Domino & Boom Boom
Published in 2005
criticise for his direction of drawing female characters , Rob Liefeld dwell up to the critiques with this drawing of two of his most prolific distaff characters . An outlandish depiction of the female anatomy , this drawing shows anatomically bonkers proportion on thesuperhero powerhouses Dominoand Boom Boom . With giant chests and abdomen too tiny to fit harmonium ( you live organs , as in the thing necessary to hold out ) , the representative is a scrap eye roll inducing . It would not be the first or the last metre that Liefeld would be called out for outrageous depiction of the show of distaff graphic symbol , butthis attract rest a everlasting example of one of the reason why Liefeld is a complex figure in comics .
9Captain America inCaptain America Vol.2 #1
Published in 1996
Steve Rogers is supposed to be an imposing presence , but the appearance of look like he ’s on stilts is a bit much as learn in this topic , part ofthe 1996Heroes Rebornevent . Captain America looks incredibly leggy , to the breaker point of looking like a two - legged Daddy longlegs . The purple squiggles in the backdrop tot another interesting quality to the already outrageous varlet , cementing a dreamlike tone . There is a lot going on in the jury with a alone page layout as well , with three box on the rightfulness and then one very long panel with a very humble panel just beneath it . Consequently , the drawing off is an out - of - the - ordinary and quirky work of Liefeld ’s .
Captain America Vol . 2#1 is write by Rob Liefeld and Jeph Loeb and pencil by Liefeld .
8Thor & Hulk inAvengers Vol.2 #5
Published in 1997
Despite being one of the most babble out about Creator in comics , readers have critiqued Liefeld ’s draftsmanship acquirement . This artwork from 1997 is one such example where some thought that Liefeld ’s artistic talents did not do the action or taradiddle justice . For instance , people have pointed out the deficiency of hair motion as well as the obscuring of thedropping of Mjolnir , an important part of the story , as detriments to the comic military issue . Both these critiques point out fairly crazy aspect of the example . besides , Hulk ’s upper body reckon absolutely massive . His biceps and shoulders look like there are muscles on top of muscles on top of heftiness . comic strip are , of course , not naturalistic , and nor should they be , but this drawing is a step beyond , going in an outrageous direction .
Avengers Vol . 2#5 is written by Rob Liefeld and Jeph Loeb and penciled by Liefeld , Ian Churchill , and Chap Yaep .
7Spider-Man inSpider-Man/Badrock Vol.1 # 1
ostensibly floating in outer space , Spider - Man looks like he ’s in zero gravitational force . The regal background knowledge behind him add to the spacey character of theSpider - Mancover . The layout of the cover is on the strange side , with Badrock occupying the lower odd corner , barely catch the reader ’s care despite his name being in the rubric . It ’s sure an unconventional cover , especially for Liefeld , who ordinarily like to showcase gun and character drawings that take up the whole varlet . The positioning and setting of the cover song remains an out - of - the - average yet striking book binding .
Spider - Man / Badrock Vol . 1#1 is written by Dan Jurgens and penciled by Rob Liefeld and Marat Mychaels .
6Domino inX-Force Vol 1.#9
Published in 1992
Technically , the Domino inX - Force Vol 1.#9 is actually the shapeshifting Copycat mimicking Domino , but for the saki of being easy to understand , the type will be referred to as Domino . In a fight scene , Liefeld ’s white damaging quad in the background of this drawing adds a super dynamic look to the pageboy , secure that the reader is focusing solely on the military action . While have no illustrated background has been a point of contention for some comics fans , it must be bring up that it is unparalleled among comic strip , being another component of Liefeld ’s art that sets him aside as an maverick and singular artist .
X - Force Vol . 1#9 is written by Fabian Nicieza and Rob Liefeld and pencil by Liefeld .
5Wolverine inUncanny X-Men Vol.1 #245
Published in 1989
The penciler for thistotally rad ' 80s comic , Rob Liefeldwas tasked with drawing not just one , but multiple quality on the cover . There ’s a lot depart on in this image , as there are more than just characters on the screening , but artillery as well . A band of guns , as is wait from Liefeld . There are weapon system coming in from every corner , making this drawing very up-and-coming and intimately chaotic . Also , as Logan point out , he also has a natty jacket as drawn by Liefeld , a expiration from Wolverine ’s distinctive scandalmongering and aristocratical costume .
Uncanny 10 - Men Vol.1 # 245 is write by Chris Claremont and penciled by Rob Liefeld .
4Cyclops inMarvel Comics Presents Vol.1 #19
aim his start in the comic industry in the 1980s , Liefeld worked on a number of Marvel account book , doing the covers for a chain of comic strip properties likeSpider Man . Likewise , he did the cover for the Cyclops - centered tale , " The Retribution Affair ( Part 3 ) - The Price of Retribution " from a 1989 event ofMarvel Comics Presents . From the starting time , reader would beholdLiefeld ’s distinctive drawing manner that has been both applauded and attacked . This cover in particular is pretty outrageous considering Cyclops ’s thighs attend massive compare to the rest of his body , a common thread in many of Liefeld ’s more outlandish drawings . as well , the over-embellished fog emitting from him seems out of place and out of nowhere .
" The Retribution Affair ( Part 3 ) - The Price of Retribution " is written by Bob Harras and write by Ron Lim .
3Hulk inAvengers Vol.2 #4
Everything is adult and bolder in Rob Liefeld ’s universe .
Rob Liefeld was no unknown to extreme covers , featuring characters and weapons that were larger than sprightliness , even for the superhero realm . Everything is bigger and bolder in Rob Liefeld ’s universe . This Hulk - centricAvengerscover is no unlike as the Hulk looks dead gripe up and in a pure fad . Looking bigger than ever , Hulk lives up to his reputationin this illustration . The cover song is a testament to how fierce Hulk can be , entice the reader to turn the cover and get into the nitty gritty of the story .
Avengers Vol 2 # 4is written by Rob Liefeld , Jeph Loeb , and Jim Valentino and penciled by Chap Yaep and Ian Churchill .
2Cable & Deadpool inCable & Deadpool Vol. 1#1
Published in 2004
Reputed for his inclusion of gigantic gun galore , Rob Liefeld’sCable & Deadpoolcover is the full - throttle sort of book binding that rooter have come to have it away and carry from Liefeld . Cable is Brobdingnagian , predominate over the crouching Deadpool . It also help oneself that Cable ’s shoulders are as big as a house , making him take up the majority of the cover through his organic structure alone . The gunman he ’s bear is a great monstrosity as well , culminating in a drafting that is no - holds - barred . The sizes of everything ( except for Deadpool ) are dialed up to 11 , and the result is a truly unconscionable image .
Cable & Deadpool Vol . 1#1 is written by Fabian Nicieza and pencil by Mark Brooks .
1Captain America inCaptain America Vol.2 #6
The extreme , abnormally large - chested version of Cap , on full showing in this binding , was Marvel ’s attempt at try out to boost interest group in its characters with a new look . The move , however , did not go over as planned and was a hurt to both Marvel and Liefeld ’s report .
Liefeld ’s aesthetic rendition of Captain Americais infamous . Made drum chested to the point of ridicule , Captain America had a pretty universally panned look when Liefeld debut his take on the character . The uttermost , abnormally vauntingly - chested reading of Cap , on full display in this cover , was Marvel ’s attempt at seek to boost interest group in its quality with a young feeling . The move , however , did not go over as planned and was a hurt to both Marvel and Liefeld ’s reputations . The cover of this tardy ' 90s interlingual rendition of Captain America is notoriously outrageous , with many fans guide aback at the tidy sum of the fibre when first run into . RobLiefeld’seffect onMarvelcannot be understated , both the good and the unsound .
Captain America Vol . 2#6 is spell by Rob Liefeld and Jeph Loeb and penciled by Liefeld .
