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Summary
Katharine Hepburn is remember in the same class of actors and actress as some of the not bad of all time , and her undecomposed moving picture represent her skills across genres and decades . Hollywood has never been kind to women as they age out of the ingénue role , butHepburn pivoted her life history and typecast so many times that her performances never sense out of style . However , Hepburn was certain to play characters that represented the kind of somebody she was . These were women who were smart , complete , and entirely themselves .
Living to the eld of 96 , Hepburn had a life and career that rivals any story recite on the silver screen . She begin act in college andwon an Academy Award for her third celluloid , Morning Glory , in 1934.Though it was difficult to slip any scenes from Hepburn , her frequent collaborations with other strong actors made her part of some of thebest movie actor dyad from Hollywood ’s Golden Age . Her influence and legacy are palpate by filmmakers and actor alike to this day .
However , Hepburn was sure to play characters that represent the variety of person she was . These were women who were smart , complete , and totally themselves .
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IMDb evaluation
On Golden Pond ( 1981 )
7.6 / 10
lilliputian Women ( 1933 )
7.2 / 10
Woman of the Year ( 1942 )
7.1 / 10
foresightful Day ’s Journey Into Night ( 1962 )
7.5 / 10
The Lion In Winter ( 1968 )
7.9 / 10
Suddenly , Last Summer ( 1959 )
Guess Who ’s make out To Dinner ( 1967 )
7.8 / 10
The African Queen ( 1951 )
7.7 / 10
The Philadelphia Story ( 1940 )
Bringing Up Baby ( 1938 )
10On Golden Pond (1981)
As Ethel Thayer
Her Academy Award achiever in the Best Actress category forOn Golden PondcementedHepburn ’s Oscar recordof four Oscar wins , all in the acting category . Few hoi polloi share this laurels , and base on her bend as Ethel inOn Golden Pond , it ’s easy to see why she was heralded for this performance in the latter stages of her career . She and Henry Fonda star as an aging couple who cope with their girl growing upand moving on while facing their own mortality .
Hepburn is in fine kind as Ethel , and her reference is a vital enhancer to Fond ’s Norman , who is n’t as accepting of the reality of age as she is . The plastic film takes a touching , methodical tempo and leaves plenty of room for both Hepburn and Fonda to exercise their power in character work . Some criticise the content of the celluloid for being too ego - indulgent and a shade too odoriferous , butHepburn ’s execution can only be used to illustrate the strength of the film .
9Little Women (1933)
As Jo March
As one of the definitiveLittle Womenadaptations , the 1933 iteration star Hepburn as Jo Marchis a testament to the longevity of the tarradiddle . It ’s a clearly unlike take on the narrative because of the cultural and political landscape at the metre of release . However , it ’s a faithful adaptation , and Hepburn is at her best as Jo . She embodies the self-willed desire for freedom and the sensitive love for her sisters that the performance call for . It ’s a very young Hepburn who gives such depth to the performance and only a taste of what ’s to come later in her career .
WatchLittle Womenon Hulu .
8Woman Of The Year (1942)
As Tess Harding
Tess Harding ’s achiever and celebrated personal and professional life inWoman of the Yearcould only be personify by Hepburn , a woman whose real - life story practically outshines the character ’s fictitious one . While the closing of the film walks back some of it , the picture ’s overall content is one of women’s liberation movement and distaff independency , a infrequency in 1942 . However , Hepburn was the ideal choice to fiddle such a function asit pat into her strong sense of ego as well as her pitch - double-dyed comedic timing . It was also significant as one of her earliest plastic film with frequent collaborator Spencer Tracy .
WatchWoman of the Yearon Hulu .
7Long Day’s Journey Into Night (1962)
As Mary Tyrone
Based on Eugene O’Neill ’s play of the same name , Long Day ’s Journey Into Nightis a tragic and shrivel look into the collapse of a family in mid - century America . In the pic , Hepburn lets loose her typically see to it style and shocks the audience with the raw embodiment of a wife and mother hook to morphia . She was spot at the Cannes Film Festival with a win for Best Actressand capture the underlie metaphor of the spell with ease . Hepburn ’s performance evokes a woman lento devolve while trying to keep up appearance , standardised to the state of America .
WatchLong Day ’s Journey Into Nighton Hulu .
6The Lion In Winter (1968)
As Eleanor of Aquitaine
As Eleanor of Aquitaine , Hepburn is at her most elegant , regal , and quietly knock-down as she manage her influence in the final days of Henry II of England ( Peter O’Toole ) . Though the film deals with the with child issues of imperial sequence , it ’s a family dramatic event in which a patriarch tries to maintain controller of his category despite his lessening influence . Eleanor is wise enough to see that her clip is ending and to use her influence sagely . Hepburn gain ground an Oscar for Best Actress for the function and is enjoying her time executing the complex script .
WatchThe Lion In Winteron Prime Video .
5Suddenly, Last Summer (1959)
As Violet Venable
Another one of Hepburn ’s films that was based on a drama , abruptly , Last Summer , was written by Tennesse Williams and adapted for the screen by Joseph L. Mankiewicz and Gore Vidal . It ’s a high - vividness thriller that sees Hepburn playing the villainous Violet to Elizabeth Taylor ’s innocent Catherine . Of all the film in which she play the fading beauty who clings to her youth , of a sudden , Last Summeris the most tragic . Though her actions are terrible , it ’s inconceivable not to sense sympathy for the women depict onscreen .
WatchSuddenly , Last Summeron Prime Video .
4Guess Who’s Coming To Dinner (1967)
As Christina Drayton
Guess Who ’s Coming To Dinnerwas a controversial movie at the meter for the way it directly grappled with racialism and prejudice in America . Sidney Poitier is a standout in the motion-picture show as John , a untested Black man who travel to meet his white fiancée ’s kin , which includes Hepburn as Christina , the female parent . The film came out at a pivotal metre during the battle for polite rightsand banker’s acceptance of interracial relationships in the sixties .
However , it ’s not just the political import that makes it a notable film . Hepburn won an Oscar for Best Actressdue to her loyalty to the role , and though Poitier went unacknowledged by the Academy , he is an amazing part of the celluloid . Though the film is not perfect in its representation of racial injustice in the United States , it was an of import footfall for Hollywood at the time , and Hepburn ’s bearing helped drive its popularity and receipt .
WatchGuess Who ’s Coming To Dinneron Prime Video .
Over several decades , Sidney Poitier break countless barrier in Hollywood , and now , his films remain some of the best - loved and respected .
3The African Queen (1951)
As Rose Sayer
ThroughoutThe African Queen , Hepburn and Humphrey Bogart become improbable fan when they ’re stranded in East Africa at the head start of World War I , which coincide with a German blast . What follow is a harrowing adventure when they adjudicate to take matters into their own hands and demolish a German gravy boat . The political and societal themes are dated , butit ’s Hepburn and Bogart that make the movie deserving watching many eld later . The sexual love history is genuine but is secondary to the way that the actors let their characters blossom through the adventure they embark on .
2The Philadelphia Story (1940)
As Tracy Lord
Cast
Hepburn team up up withCary Grant for two of his greatest comedy , and their winner is thanks to the grand chemistry between them . ThoughThe Philadelphia Storywasn’t their first collaboration , that only made their report card all the more fast - pace and unlined . The high - guild Tracy has her complete life slowly ravel by the men around her who all sample to pick away the facade she frame up and find out what ’s underneath her radiant smile .
The Philadelphia Storywas enormously democratic with audience at its release and went on to barrack the musical movieHigh Society , which starred Grace Kelly as Tracy . Though Kelly was a worthy heir , no one could top Hepburn ’s ability to equilibrise poise and dish with making a everlasting fool of herselffor the audience ’s entertainment . Earning an Oscar nominating address for Best Actress for her public presentation , the movie represents how Hepburn came to control the witty dialog of the time .
1Bringing Up Baby (1938)
As Susan Vance
Grant and Hepburn ’s earlier film , Bringing Up Baby , would have never been imagined to be the striking that it is today and one of the best - remembered films for both thespian . A vital and commercial flop , Bringing Up Babywas long misunderstood due to its crank whole step and silly secret plan point . Today , this is what audience love it for , and its razor - acute script is only elevated by the hilarious and genial functioning of Hepburn and Grant .
Bringing Up Babyoutmatches Hepburn ’s other work to become her best movie for many reasons , and chief among them is thatthe role was written for her and caters instantly to her strengths as an actress . It ’s here that she discovered her talent for funniness , which would inform much of her recent work , and that she was best when paired with a carbon monoxide gas - star who could match wits with her . Though it did n’t seem so at the meter , Hepburn would never have become the star she was withoutBringing Up Baby .
