Summary

The late serial publication fromDSTLRYpromises flighty thrills and L.A. chills as James Tynion IV and Christian Ward unify forSpectregraph , a frequent house narration with an occult twist . Screen Rant can share an sole prevue of the first issue , which is on last order cut - off March 11th .

The first prevue ofSpectregraph#1 by Tynion and Ward gives reader an atmospherical gustation of what ’s to come in this new series , which will beavailable digitally and in mark on April 24th . The scene open up on a rainy night in 1967 as a man key Ambrose arrives at a unknown - reckon party filled with stranger - seem mass .

Though Ambrose insists that " there is no such thing as ghosts , " his follow menace sets up what will surely be the mystery of the series : " But there should be . " Readers can pre - set up the issue now to regain out what happens next .

Comic book art: a dark-haired woman with a pink streak in her hair smiles at the viewer with a gold microphone in her hand.

Mirka Andolfo ’s BLASFAMOUS , usable February 21st from DSTLRY , features both pop virtuoso and demons aplenty in a narrative that shoot hero adoration to job .

SPECTRGRAPH Takes the Haunted House Story to Unexpected Places

SPECTREGRAPH # 1 ( 2024 )

Release Date :

April 24th , 2024

invisible man

Writers :

James Tynion IV

Artists :

A composite image of the Peanuts gang hoisting Charlie Brown and Snoopy in the air in front of black and white panels from the Peanuts comic strips

Christian Ward

Cover Artist :

Variant Covers :

Comic book art: Spectregraph Woman with Red Hair and Ghost

Custom Image by Kate O’Donoghue (from Jenny Frison and Christian Ward)

Modern masters James Tynion IV and Christian Ward join forces to wreak you their next horror classic . A ghost story steep in the decay of a century of capitalism . For years , the hall has sat strangely , cuddle into the coastline just a short thrust compass north of Los Angeles . Rumors have ghost the place for age , its owner a behemoth of American industry with a strange fascination in the occult and the paranormal . For tenner , the richest men and woman in the country have whispered to each other , stress to understand what he was building alone in that house for all those eld . And now finally , with his death , and his the three estates capable for cut-rate sale … they are eager to receive out for themselves . Two of the most celebrated visionaries of the culture medium invite you into the world of SPECTREGRAPH , a haunting , cerebral horror tale that uncase back the layers of America ’s opulent wealth and uncovers the rot underneath . But be careful : once you enter , you may never go forth .

Though this is the first issue ofSpectregraph , neither creator is a alien to repugnance . Ward ’s recent Eldritch - repugnance take on Batman inBatman : City of Madnesswas well - receivedby critics and sports fan . Tynion in particular has become recognize for his contemporary - apt repugnance comics , among themSomething Is Killing the Children(with Werther Dell’Edera),w0rldtr33(with Fernando Blanco ) , andThe Department of Truth(with Martin Simmonds ) . As " founding " DSTLRY Almighty , Spectregraphis their first work with the Modern publishing firm .

From the prevue alone , it ’s clear that this coaction between Tynion and Ward could very well be among their good work . Ward ’s artistic creation in particular takes center stage , his discrete psychedelic style create a misrepresented atmosphere arrant for an occult - given haunted house story . The issue ’s sum-up promisesa horror narrative that ’s just as much about wealth as it is about shade — the kind of socially observant twist readers have come toexpect from Tynion ’s work , just as they expect an unsettling kind of scourge .

Spectregraph 1 Main Cover: a ghost-like figure stands in a doorway.

DSTLRY’s Continues to Spotlight Artists at the Top of Their Game

At the very least , withSpectregraph#1 , lector are guaranteed a beautiful comedian with a range of heart - catch covers , as partake in above . Less than a year into its operation , DSTLRY continue to leaven itselfto be a family for big ideas and better art . ThisSpectregraphpreview promises a series that will delight horror- and art - lovers both — just as it cementsDSTLRY’sstatus as a publisher - to - picket .

Spectregraph#1is available April 24th from DSTLRY Media . The issue is on Final Order Cut - off March 11th .